TOILE: PRINT VS. WOVEN
Timeless Toile: From 18th-Century France to Modern Performance Fabrics
The use of toile patterns in design has remained a classic since the mid-1700s, with moments of resurgence that bring this traditional look back into the spotlight. A toile—or more specifically, Toile de Jouy—literally means “cloth from Jouy,” named after the French town just outside Paris where the style originated. An example of a traditional toile. This piece actually came from a historic document in a museum.
One of the earliest pioneers, Christophe-Philippe Oberkampf, began printing pastoral scenes on cotton in 1759. Soon after, toile designs expanded beyond landscapes and florals to include historical events, political messages, and even depictions of colonial expansion. As popularity spread, toile patterns were no longer limited to France, England, and the United States—other countries quickly began creating their own interpretations.
Traditionally, toile was printed on a white or light background in colors such as blue, black, red, or green. Over the centuries, the pattern has appeared not only on fabrics but also on wallpapers, ceramics, and home décor.
While most toiles are printed, they can also be woven. That’s where Revolution Fabrics takes this timeless design to the next level. Unlike a printed fabric, a woven design is part of the fabric itself—making it more durable and better suited for everyday use. Plus, Revolution fabrics are bleach-cleanable, ensuring your space feels both elegant and family-friendly.
Toile may be centuries old, but in the right fabric, it’s as fresh and versatile as ever.

Revolution pattern, Estate
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